dc.contributor.author | Waliaula, Solomon | |
dc.date.accessioned | 2017-05-31T09:14:46Z | |
dc.date.available | 2017-05-31T09:14:46Z | |
dc.date.issued | 2017-02-06 | |
dc.identifier.issn | 1743-9590 | |
dc.identifier.uri | http://hdl.handle.net/123456789/4799 | |
dc.description | Full text | en_US |
dc.description.abstract | This article is based on a cultural practice that has developed in the context of the interaction between Eldoret-based audiences of European football with the television medium through which they access this football. It is a practice that I will refer to here as the oral narrative extension of media. I describe and interpret it in the light of two conceptual frames; media practice theory and oral narrative performance. Two main arguments are developed. First, that the electronic reconfiguration of Eldoret-based fans of European fans of European football is not a closed event of mediation but rather an open-ended practice that provokes the artistic figuration and re-viewing and metaphoric coherence that constitutes extended narratives which create a mediaworld. Secondly, that this narratively performed mediaworld demonstrates the artistic process of individual performers and dynamic contexts (in)forming their performances. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Soccer & Society, | en_US |
dc.subject | English premier league | en_US |
dc.subject | sportmedia | en_US |
dc.subject | Eldoret | en_US |
dc.subject | sports in kenya | en_US |
dc.title | Oral narrative extension of sportmedia: an experience with an English premier league soccer audience community in Eldoret, Kenya | en_US |
dc.type | Article | en_US |